One of the solo Sony R1 digital camera review

Although the Sony R1 listing has some time, but also referred to as its SLR models listed before the rehearsal, but even in its SLR models listed later, entry-level digital SLR market raging today, R1 is still an interesting model.

R1 by virtue of a dimension, with APS-C 1030 megapixels CMOS sensor components, as well as the equivalent focal length of 24-120 mm Karl Zeiss T * lens, making it a fixed lens camera in the field of single-step. Of course, its getting digital SLR par price shows it's extraordinary.

Karl Zeiss T * lens superior optical quality and Sony new real image processor has the perfect combination of excellent imaging quality R1.

R1 imaging has a very distinct features, better rub and a Zeiss lens Imaging uptake and Sony fuselage of image processing and recording capabilities, sharpness and color levels, lightness, and achieved good balance (see figure DSC00010). This combination of strengths in a variety of light and different focal length segments of photography has been confirmed. With light Imaging sharp, accurate color reproduction parts, equivalent to 35 mm format equivalent to 24 mm wide angle, the image needs to contain more conditions it is very convenient when the screen (see figure DSC00041), 4 slices of aspheric tablets are used, making the picture distortion in wide-angle is well control (figure DSC00012). Although Sony provides specifications, see using anti-dispersion lens data, by virtue of Karl Zeiss T * lens superb coating technology and flare suppression technology ("T *" Karl Zeiss advanced multi-layer coating technology that reduces approximately 52% of unnecessary glitter and Conn. phenomenon), as well as Sony's unique clear color noise reduction function, the R1 in telephoto still has a good performance, even in side backlight and backlight lighting conditions, the screen remains an excellent sharpness and sufficient detail, dispersion suppression reached more than level in access (see figure DSC00046, figure, figure DSC00040 DSC00042).

↑ Graph DSC00010: ISO160, 1/25 second, F4.5,-0.3EV, Manfrotto tripod 190PROB/MA32.

↑ Graph DSC00041: ISO160, 1/125 sec, F8,-0.3EV, f = 14.3 mm (35mm equivalent: 24 mm).

↑ Graph DSC00046: ISO160, 1/200 sec, F4.8,-0.3EV, f = 71.5 mm (35mm equivalent: 120 mm).

↑ Graph DSC00042: ISO160, 1/100 sec, F8,-0.3EV, f = 71.5 mm (35mm equivalent: 120 mm).

↑ Graph DSC00040: ISO160, 1/500 sec, F6.3,-0.3EV.

In cloudy and diffuse light conditions, the R1 's imaging saturation increases, and projected light compared to the last screen, added some gorgeous and rich atmosphere (see figure DSC00024).

↑ Graph DSC00024: ISO160, 1/30 sec, F5.6,-0.3EV, f = 71.5 mm (35mm equivalent: 120 mm), Manfrotto tripod 190PROB/MA32.

R1 offers 160/200/400/800/1600/3200 six speed manual settings.

From the effects of the actual image, its competitors slightly higher minimum speed (ISO160), not on Imaging delicate and light and excessive production of smoothing visible impact. R1 in noise reduction is also a Kung Fu under foot, including the clear brightness color noise reduction/clear/clear raw noise reduction/slow shutter noise reduction, and so on, will Sony in this area is full of technology. From real picture effects, these various specifications are not colleges unifrm fat slim leg. In backlighting, rainy days, low illumination light conditions, slow shutter exposure accuracy, image quality is good (see figure DSC00030, figure, figure DSC00037 DSC00035).

↑ Graph DSC00030: ISO160, 1/3 sec, F8,-0.3EV, Manfrotto tripod 190PROB/MA32.

↑ Graph DSC00035: ISO160, 1/1.6 seconds, F8,-0.3EV, Manfrotto tripod 190PROB/MA32.

↑ Graph DSC00037: ISO160, 1/5 sec, F7.1,-0.3EV, Manfrotto tripod 190PROB/MA32.