Why old 28-200 often jokes — today's 18-200 suddenly pop up
Remember when not long ago the site author to Nikon and Sony selected lenses? may have friends we do not support the economic constraints of the photographer choose 18-200 are not comfortable with this kind of product — really big zoom ratio lens and labor, local, some people think that will save money, especially in the voice of high enough to rival black shima 18-200/3.5-5.6OS post-marketing, people see than Nikon 18-200/3.5-5.6VR cheap half price a seemingly imaging quality good large zoom lens than the anti-shake.
Such a configuration is a little strange, but in front of the lens is, indeed, a new gospel poor fans
Shima's 18-200 instantly with the status not OS anti-shake, some fans in General seem to have discovered the treasure
Tenglong know big zoom anti-shake brand most attractive, just take the 28-300 test water, let people know it reminds me of the old telephoto DC binge thinking when people ... But you really want to choose a long lens, really difficult
Note that most of the fans is difficult to easily buy a cannon-telephoto lens: for example, diagrams of the Minolta AF300/2.8G, despite the excellent, but buy you'll find nothing a chance to use it
In the past, in the 28-Dragon 200XR lens popularity, immediately launched 28-300 does not draw.
The reason the older fans or even accept each of the 70 (75)-300mm/4-5.6 + 24-85/3.5-4.5 such combination, on the one hand, the price is not high, but for most amateurs, the image quality is guaranteed. Resolution, contrast and distortion are people accustomed acceptable, then why today's 18-200 pop up?24-135 and 28-300 is the Dragon's masterpiece, but then they look at their eyes are very different, and 24-135 is classic, today's 28-300 but descendants of full
On the one hand, some of the more popular sport makes SLR without thought of the "old" detention of people, they are more likely to accept a microscopic world of thought.
On the other hand, the new 18-200 lens is resolved, anti glare, and expressive colours than ever on upgrading a lot of product, appearance and operationality to Nikon's 18-200 as a high-end lens convergence, looked very grades.
However I think there are a number of reasons that people gradually abandoned the other one only parity telescopic zoom lens
【 Content navigation 】
〖 Poor buy telephoto lens – in the film era it was Loth 〗〖 study you will find it very difficult to — 55 (50)-200mm say no, even if it is a Canon user 〗〖 don't light stare AF-S 18-200VR — look at the dramatic art of AF-S 55-200G VR IF-ED 〗〖 neglected lens — the Pentax 50-200 〗〖 shima HSM version 55-200 has mini-Europe tenglong, Sony, Canon also catching 〗
No comments:
Post a Comment